Please use this identifier to cite or link to this item: http://ithesis-ir.su.ac.th/dspace/handle/123456789/5062
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dc.contributorQuanjin GAOen
dc.contributorQuanjin GAOth
dc.contributor.advisorSone Simatrangen
dc.contributor.advisorสน สีมาตรังth
dc.contributor.otherSilpakorn Universityen
dc.date.accessioned2024-08-01T07:16:43Z-
dc.date.available2024-08-01T07:16:43Z-
dc.date.created2024
dc.date.issued28/6/2024
dc.identifier.urihttp://ithesis-ir.su.ac.th/dspace/handle/123456789/5062-
dc.description.abstractTraditional Chinese landscape painting makes the natural landscape as the main subject of painting. It is influenced by Taoism and advocates the beauty of nature. With the rapid development of science and technology, A few young people are willing to understand the traditional aesthetics and philosophy. Modern Chinese artists in the field of ceramics still pay very little attention to Taoist aesthetics. The purpose of this research is to study the aesthetic characteristics of traditional Chinese landscape painting, understand its significance; study the form of contemporary ceramic art, explore its connection with landscape painting, and transform 2D landscape painting into 3D ceramic art works. Through the ceramic art works, and reflect the environmental problems, trigger people's reflection, and require the harmonious development of man and nature. The objectives are 1. To analyze the aesthetic characteristics of the landscape painting and the form of contemporary ceramic art. 2. On the basis of Taoist philosophy to explore the experiment and practice on personal concept of ceramic art. 3. To develop the personal art expression of ceramic art. The results of the research show the multidimensional expression of ceramic artworks. The ceramic artworks create a 3D art space that the audience can touch and feel. It expresses the Taoist philosophy in the aspects of craft, colour and material. The changing of environment and climate are in a dynamic balance of opposition and transformation. This research is intended to provide a theoretical basis and practical experience for the future creation of ceramic art.en
dc.description.abstract-th
dc.language.isoen
dc.publisherSilpakorn University
dc.rightsSilpakorn University
dc.subjectCeramic Arten
dc.subjectChinese Traditional Paintingen
dc.subjectTaoismen
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationArts, entertainment and recreationen
dc.subject.classificationDesignen
dc.titleThe Transformation of Chinese Traditional painting into Ceramic Art Based on Taoismen
dc.title-th
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorSone Simatrangen
dc.contributor.coadvisorสน สีมาตรังth
dc.contributor.emailadvisorSIMATRANG_s@su.ac.th
dc.contributor.emailcoadvisorSIMATRANG_s@su.ac.th
dc.description.degreenameDoctor of Philosophy (Ph.D.)en
dc.description.degreenameปรัชญาดุษฎีบัณฑิต (ปร.ด.)th
dc.description.degreelevelDoctoral Degreeen
dc.description.degreelevelปริญญาเอกth
dc.description.degreedisciplineen
dc.description.degreedisciplineth
Appears in Collections:Decorative Arts

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