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http://ithesis-ir.su.ac.th/dspace/handle/123456789/5062
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DC Field | Value | Language |
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dc.contributor | Quanjin GAO | en |
dc.contributor | Quanjin GAO | th |
dc.contributor.advisor | Sone Simatrang | en |
dc.contributor.advisor | สน สีมาตรัง | th |
dc.contributor.other | Silpakorn University | en |
dc.date.accessioned | 2024-08-01T07:16:43Z | - |
dc.date.available | 2024-08-01T07:16:43Z | - |
dc.date.created | 2024 | |
dc.date.issued | 28/6/2024 | |
dc.identifier.uri | http://ithesis-ir.su.ac.th/dspace/handle/123456789/5062 | - |
dc.description.abstract | Traditional Chinese landscape painting makes the natural landscape as the main subject of painting. It is influenced by Taoism and advocates the beauty of nature. With the rapid development of science and technology, A few young people are willing to understand the traditional aesthetics and philosophy. Modern Chinese artists in the field of ceramics still pay very little attention to Taoist aesthetics. The purpose of this research is to study the aesthetic characteristics of traditional Chinese landscape painting, understand its significance; study the form of contemporary ceramic art, explore its connection with landscape painting, and transform 2D landscape painting into 3D ceramic art works. Through the ceramic art works, and reflect the environmental problems, trigger people's reflection, and require the harmonious development of man and nature. The objectives are 1. To analyze the aesthetic characteristics of the landscape painting and the form of contemporary ceramic art. 2. On the basis of Taoist philosophy to explore the experiment and practice on personal concept of ceramic art. 3. To develop the personal art expression of ceramic art. The results of the research show the multidimensional expression of ceramic artworks. The ceramic artworks create a 3D art space that the audience can touch and feel. It expresses the Taoist philosophy in the aspects of craft, colour and material. The changing of environment and climate are in a dynamic balance of opposition and transformation. This research is intended to provide a theoretical basis and practical experience for the future creation of ceramic art. | en |
dc.description.abstract | - | th |
dc.language.iso | en | |
dc.publisher | Silpakorn University | |
dc.rights | Silpakorn University | |
dc.subject | Ceramic Art | en |
dc.subject | Chinese Traditional Painting | en |
dc.subject | Taoism | en |
dc.subject.classification | Arts and Humanities | en |
dc.subject.classification | Arts, entertainment and recreation | en |
dc.subject.classification | Design | en |
dc.title | The Transformation of Chinese Traditional painting into Ceramic Art Based on Taoism | en |
dc.title | - | th |
dc.type | Thesis | en |
dc.type | วิทยานิพนธ์ | th |
dc.contributor.coadvisor | Sone Simatrang | en |
dc.contributor.coadvisor | สน สีมาตรัง | th |
dc.contributor.emailadvisor | SIMATRANG_s@su.ac.th | |
dc.contributor.emailcoadvisor | SIMATRANG_s@su.ac.th | |
dc.description.degreename | Doctor of Philosophy (Ph.D.) | en |
dc.description.degreename | ปรัชญาดุษฎีบัณฑิต (ปร.ด.) | th |
dc.description.degreelevel | Doctoral Degree | en |
dc.description.degreelevel | ปริญญาเอก | th |
dc.description.degreediscipline | en | |
dc.description.degreediscipline | th | |
Appears in Collections: | Decorative Arts |
Files in This Item:
File | Description | Size | Format | |
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630430018.pdf | 6.22 MB | Adobe PDF | View/Open |
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