Please use this identifier to cite or link to this item: http://ithesis-ir.su.ac.th/dspace/handle/123456789/5607
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dc.contributorMuran HUANGen
dc.contributorMuran HUANGth
dc.contributor.advisorJirawat Vongphantuseten
dc.contributor.advisorจิรวัฒน์ วงศ์พันธุเศรษฐ์th
dc.contributor.otherSilpakorn Universityen
dc.date.accessioned2025-08-13T08:58:40Z-
dc.date.available2025-08-13T08:58:40Z-
dc.date.created2025
dc.date.issued4/7/2025
dc.identifier.urihttp://ithesis-ir.su.ac.th/dspace/handle/123456789/5607-
dc.description.abstractIn the context of sustainable development and the ongoing process of globalization, Chinese modern design, while continuously learning from the technological expertise and design methods of developed countries, has yet to establish a unique position within the global design context. The excessive imitation of Western design has overlooked the distinctiveness and identity of local culture, which has led to a lag in the development of localized design methodologies. Therefore, this study focuses on exploring the integration of localized artistic design practices with agricultural waste, particularly the feasibility of tea-based materials in the field of home decoration. The aim of this research is to explore the potential of converting waste tea into tea-based materials and to analyze their material characteristics and artistic expression in xiangsheng home decoration. Through literature review and case analysis, the research constructs a theoretical framework of "xiangsheng" based on plant imagery and applies it to the practice of xiangsheng home design. A mixed-methods research approach was employed, involving multiple material experiments, design experiments, and in-depth interviews to collect first-hand data on the application of tea-based materials, followed by statistical analysis. The results show that converting waste tea into tea-based materials is technically feasible and practically viable. The application of these materials in home decoration not only provides new avenues for artistic expression but also brings innovative possibilities to users' sensory experiences. Furthermore, this research proposes a plant-based "xiangsheng" design framework, laying a new theoretical foundation for the future development of "xiangsheng" design. In conclusion, design practices based on agricultural waste can significantly advance the development of design arts, offering new possibilities for the innovation of traditional "xiangsheng" design and the spreading of local culture. Future research should further explore the unique characteristics and in-depth applications of plant-based materials in various design fields.en
dc.description.abstract-th
dc.language.isoen
dc.publisherSilpakorn University
dc.rightsSilpakorn University
dc.subjectChinese Xiangshengen
dc.subjectTea-based materialen
dc.subjectPlant imageryen
dc.subjectPlant-based materialen
dc.subjectTea wasteen
dc.subjectBionic designen
dc.subjectHome decoren
dc.subject.classificationArts and Humanitiesen
dc.subject.classificationArts, entertainment and recreationen
dc.subject.classificationDesignen
dc.titleEXPLORING CHINESE CONTEMPORARY XIANGSHENG HOME DECOR ON TEA-BASED MATERIAL WITH ECOLOGICAL AND SUSTAINABLE  DESIGN CONCEPTS: CASE STUDY ON PLANT IMAGERYen
dc.title-th
dc.typeThesisen
dc.typeวิทยานิพนธ์th
dc.contributor.coadvisorJirawat Vongphantuseten
dc.contributor.coadvisorจิรวัฒน์ วงศ์พันธุเศรษฐ์th
dc.contributor.emailadvisorJirawatv@yahoo.com
dc.contributor.emailcoadvisorJirawatv@yahoo.com
dc.description.degreenameDoctor of Philosophy (Ph.D.)en
dc.description.degreenameปรัชญาดุษฎีบัณฑิต (ปร.ด.)th
dc.description.degreelevelDoctoral Degreeen
dc.description.degreelevelปริญญาเอกth
dc.description.degreedisciplineen
dc.description.degreedisciplineth
Appears in Collections:Decorative Arts

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